The new film “Bookworm” opens with a disclosure that there are no man-eating predators in New Zealand, at least not on the land. But that didn’t stop filmmaker Ant Timpson from making a movie centered around the search for a mythical panther.
The film is also about a developing relationship between a girl and her estranged father, played by Elijah Wood.
And whether it’s because there’s just a little bit scary in the film or because both Timpson and Wood have made strange movies before, the family-friendly “Bookworm” has been embraced by genre film festivals.
It premiered in the U.S. at Austin’s Fantastic Fest and it’s hitting theaters more widely Oct. 18. We caught up with the two while they were in Austin. Listen to the interview in the audio player above or read the transcript below.
This transcript has been edited lightly for clarity.
Texas Standard: Elijah, you lived in Austin for a couple of years. Were we not “keeping it weird” enough for you?
Elijah Wood: Oh I love it. I love it here. It still feels like home. I’ve got family here and come here every year.
So it – yeah, I don’t know. I had a house here for five years. I spend most of my time in Los Angeles, so the house just didn’t make sense anymore. But I still spend time here. I love it. Austin’s a great, great place.
Thank you, we like to hear that. And we know one thing that draws you back is Fantastic Fest, where you can find plenty of weird. So it wasn’t pulling your arm to get you back here for the U.S. premiere?
Elijah Wood: No. Any excuse to get to Austin!
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And same for you, Ant? You’ve had several films that have passed through Fantastic Fest. Is it a scene that just understands you?
Ant Timpson: They get me.
To have a film like this, which is really unusual, it’s a family-friendly movie. And I’m usually involved with films with slightly darker edges to them.
That’s exactly where I was going to go. So this is “Bookworm” we’re talking about. There’s plenty of strange, but it’s also a lot of sweet. So after something like your film “The Greasy Strangler” or “The ABCs of Death,” how do you get to this family story?
Ant Timpson: I think it was – I work with a writer called Toby Harvard, who also wrote “The Greasy Strangler,” and the film that Elijah and I did called “Come to Daddy.” And it was kind of based on something that happened to me in my family where I was supposed to be like the heroic movie character. And I didn’t. I dropped the ball considerably.
So that’s where the whole idea of the story came out with an estranged father and his young daughter – two fish-out-of-water who, you know, have issues with each other. Put them together under intense pressure and see how it all goes.
And it’s a throwback to those sort of family films where they’re not message-based. They don’t pander to kids and hopefully families can enjoy it.
Well, Elijah, I’m pretty familiar with your work. I’m not sure I’ve seen every single thing, but is this the first time you’ve played a dad on screen?
Elijah Wood: I think it is. Yeah.
You’re a dad in real life – how was it to play this role? You kind of can do the young – I think you’ve gotten to do that for a long time. And you play these sort of strange characters sometimes, but a dad who also, we should point out, is pretty strange.
Elijah Wood: He is. Yeah. And not particularly adept at being a father yet.
I mean, we’re watching a character who isn’t a father, comes to New Zealand to sort of be there for his estranged daughter that he’s never met and, you know, tries to rise to the occasion to be a father. But he’s not really.
And it’s really over the course of this journey that they have out in the wilderness of New Zealand that he starts to learn how to be a dad and sort of, you know, they develop a really lovely relationship. But I didn’t have to rely on any of my own experience of being a father to play him. He’s kind of useless.